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but because
These colours are then arranged chronologically to create a unique fine art composition that captures the entire visual journey of Morten Tyldum's film
Kelly McGillis
In the late 1930s
The Quiet American (2002) Rain Man but becauseAbout this print Every single frame of the movie The Quiet American has been analysed and averaged to a single colour. These colours are then arranged chronologically to create a unique fine art composition that captures the entire visual journey of Phillip Noyce's film. Printed using archival pigment inks on 308gsm Hahnemhle photo rag fine art paper, each print is a museum quality gicle produced to order and created in its original theatrical aspect
